Choi, 39, grew up blindly worshipping the Kim regime. His career in cartooning began when he drew a “patriotic” picture about Americans invading Korea and his artistic talents were spotted by a secondary schoolteacher. He went on to become an animator at North Korea’s premier animation studio.
Then, amongst second-hand computers smuggled from China, Choi discovered South Korean TV dramas. But watching such material is a crime in the North and the authorities banished him from the capital to the countryside when they discovered his activities.
“In North Korea, being banished from Pyongyang is the same as dying. People say Pyongyang and Seoul are 70 years apart, but Pyongyang and the countryside are separated by a century,” he said. “…The countryside exists only to support Pyongyang.”
Life outside the capital was so difficult that Choi decided to leave the country and head to the South via China. His family went ahead of him, but he spent six months in a camp as collective punishment. Choi made it out and reached the South in late 2010.
After settling in Seoul, Choi was determined to have an impact on people on both sides of the military demarcation line. He took up the pen to illustrate the deprivations of the North and the plight of North Korean women sold to Chinese men. He has also tried to bridge the cultural divide between the two people, making fun of the social differences between the North and South.
He smuggles the cartoons into North Korea in the hope of changing the population’s outlook, one mind at a time. He said smuggling from China is so rampant that it had created “an infrastructure” to influence North Korea.
[South China Morning Post]